English - Fiction Coursework
Liberator
- Stimulus Text: The Handmaid's Tale by Margaret Atwood
Stories are important. A moment to become someone
else. A hero, perhaps. They keep memories alive, entire lives turned into inky
words on a page. While what I have to say isn't all bad, the beautiful moments
are stained – made unclean by circumstance. For that I am sorry. My story is
real, but I’m not a hero. I’m just a man who got away.
I was born at winter’s end. Frosts were beginning
to thaw, from beneath them new flowers made the most of the first sunlight of
spring. I think of my birth often. Not because it was how I entered the world,
but because it was how my mother left it. Atwood told me her every breath was
jagged, unnatural, as if giving birth to another life was the most unorthodox
situation a woman could find herself in. He was present for my birth. Not
because he was my father – though he raised me as if he were – but because he
was my mother’s greatest friend. The moment I had been expelled from my mother's
body, the Aquila man assigned to my birth thrust the Bible upon her. I imagine
her holding it, flipping through the pages until she felt moved by the Lord. I
picture the Aquila taking the open book from her, reading the selected page,
using it to decide what I would bring to the nation. The random nature of this
selection was supposed to create peace, each human assigned to one of the five
concepts required to maintain a functioning society. Is a captive bird ever
truly at peace, even if kept in a pretty cage?
I could have been a Pureperium like my mother, there
to bear children, or worn the heavy robes of a scholarly Noctua, the educators
of society. I could’ve policed the streets, guarding the borders with the
other Soleas, or perhaps been fortunate enough to become a ruler. Aquilas were
the most entitled citizens, living luxurious lifestyles. Every parent wanted
that for their children, few managed to bribe Aquilas with their bodies to give
their baby a secure life. I was none of these. I became an Operatur. The lowest
division. It became my purpose to work. I was dirty to them all. A disease
passed on through eye contact.
The last thing that my mother did for me was give
me my name. Eros. After the God of love. Atwood said this was a symbol of her
undying love. She knew that she wasn't going to survive; there were no doctors
or medicines in Deusled. If a person was meant to live then God would find a
way. My mother had done her job, she was expendable.
When I came of age I moved into my new
accommodation – a dimly lit apartment. Homes were styled to the occupant's division;
I was a stray animal. I yearned for the airy kitchen of my childhood home; filtered
sunlight trickling in like water from a tap – constant and cleansing. Atwood's home
was my haven, designed for raising children. Mine was designed for cooking and
sleeping. What more could an Operatur need? After a time, however, I
participated in my own small acts of rebellion. I dug up a lily, white, streaked
with yellow, and kept it on my bedroom windowsill. It became my secret power,
the sole thing I had total control over. I could kill it, should I choose to. I
never did.
I woke on the morning of my thirty-fifth year. The
years of digging and building and heavy lifting had taken their toll on me. My
hair was greying, my skin streaked with scars, but she didn't care. That
day I was assigned to clean at a school. It clings to my memory like a drowning
man to his raft. A blue-cloaked Noctua tried to help me mop up spilt paint that
stained the floor red. Nobody helped Operaturs. She insisted that she at least
made a cup of tea. I cried. I remember it vividly; the first time I’d been
treated as an equal. We drank our tea, I regained composure. We talked. I was
lonely, she was compassionate. That's what we told ourselves. It became our
excuse.
Time passed. I worked for Lysandra often. Each time
we talked a little, then a lot. We raised our white flags, surrendered to
our desires. If what we had felt was simply lust my story would be easier to
tell, but like leaves falling to the ground at the first touch of autumn's
cold fingers, I fell for her. How beautiful that mind was, that body laying
next to mine. Bare skin, illuminated silver in slivers of moonlight, rising and
falling like the tide. Utterances of love dripping from lips like molten
gold. Our love became our forbidden fruit, lodged in our throats,
choking us gently, a desirable death. Pandora's Box had been opened.
Acceptance that each meeting drew us closer to the cliff edge; the wind growing
stronger. She said she’d rather die a rebel than live one more day a puppet.
The wind became a storm when she told me the product of our love was blossoming
within her womb. She said we needed to escape. To cross the border into
a country she called Canada. If they discovered a Noctua was to have
a child with an Operatur then we would die. Us three.
We ran. Empty handed, save for each other. We made
it under the fence as the alarms sounded, sirens and lights, blinding reds and
blues and the catch in my throat as she stumbled, crying out to me to keep
going, to not look back or they'd catch us both. Branches clawed at my face,
tree roots threatening to ground me with every footfall. The echo of the
gunshot bellowed, sending crows scattering skyward. I didn't stop. But her
heart did. Our child wilted. Turning back would be in vain, there was nothing
left to save, they'd only catch me too; she’d have died for nothing. I was just
a man who got away.
Stories are important. My story is important, filled
with blood and pain and loss. It's a tragedy, but it isn't sad. It isn't sad
because I loved, and my love set me free. My freedom may not have ended wars, but
laying on the floor somewhere is a shattered pot, spilt soil, a lily sat amidst
the destruction. Someone will find that lily, that quiet rebellion, and perhaps
replant it. Perhaps steal another, create a garden, find beauty in the
forbidden, become a hero. Release the birds from their pretty cage. I am not a
hero. I didn't save the millions. I saved myself. For that, I’m sorry.
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